Film Comment January/February 2018

Paul Thomas Anderson’s Phantom Thread, the best (and worst) of 2017, Valeska Grisebach’s Western, The Post and the Spielberg procedural, Jia Zhangke’s mogul ambitions and China's multiplexes, interviews with Philippe Garrel and stuntperson Heidi Moneymaker, Armando Iannucci on The Death of Stalin, Gary Giddins on Taras Bulba