Editor’s Letter: “Every Brush Stroke, a Breath†by Danielle A. Jackson
POINTS SOUTH
The Things We Leave Behind, by Madeline Weinfield
Who Is Sam Blow?, a poem by Treasure Shields Redmond
Cathedral Basilica of St. John the Baptist, by Joshua Peacock
Front-Page News, by Tom Hundley
The Old-Time Sounds of Clifftop, by Julia Thomas
Five Hours from Someplace Beautiful, by Brendan Egan
FEATURES
PINOCCHIO
A story by Jeffery Renard Allen
FOUR POEMS
Grief, Grief, Goose: A Triptych of Poems, by Jacob Shores-Argüello
Real Money, by Edgar Kunz
Sandalwood, by Tim Z. Hernandez
Twelve Stone House, by John Gosslee
THE LONG WAKE OF THE STORM
Six years later, Barbuda still reckons with one of history's strongest hurricanes
by Justin Nobel
DEAR ATLANTA: MANIPULATION OF THE REFLECTION
In her visual love letter to ATL, Nicole Hernandez photographs authentic interactions between friends, lovers, and mothers
Photographs by Nicole Hernandez, Curated by EWANG
FIFTEENS
A story by Isaac Hughes Green
OMNIVORE
GOD’S SILENCE, HUMANITY’S DEAFNESS
On Cormac McCarthy’s two new novels
by Christopher C. King
MADNESS IN THE CUPBOARDS
billy woods’s gripping rhymes elevate the ordinary
by Marcus J. Moore
Man Down
From the web
by Jewel Wicker
Terence Nance's Interdimensional Healing
From the web
by Clarissa Brooks
ART BY: Lisa Choinacky, Mary DeVincentis, Tommy Kha, Bob Thompson, Marcus Brutus, Lex Thompson, Gordon Parks, Heather Evans Smith, Lisa Elmaleh, Peter Brown, Miles Davis, Miguel Rothschild, Frank Walter, Mohammid Walbrook, Nicole Hernandez, Andrew Fish, Will Warasila, Cosmo Whyte, Edvard Munch, Rog Walker/HBO.
COVER: Cup and Ring (detail), an ink painting by Lisa Choinacky © The artist
Title: Oxford American # 120, Spring 2023
Series: Oxford American
Item Number: OXFORDAMERICAN2023SP
I love photographs of women, moms, girls, wives, mistresses, prostitutes, etc. As long as they have tits and a pussy, I am a happy camper!