48 I, BUGSY<br>
BY JAMES TOBACK<br>
Writer-director James Toback assured Warren Beatty that he could write Bugsy in
ten days. Six years later, he completed a workable script. "I was writing,"
says Toback. "And rewriting. And revising my rewritten rewrites of my original
draft."<br>
54 CHRONICLE OF A LIFE UNTOLD<br>
BY PETER BISKIND<br>
Warren Beatty, Hollywood's most famous bachelor, candidly discusses impending
fatherhood, Disney's Jeffrey Katzenberg, the making of Bugsy, and his relationship
with his directors, including himself: "The difference between directing
yourself and being directed is the difference between masturbating and making
love."<br>
64 MAMBO PRINCESS<br>
BY CHRISTOPHER BAGLEY<br>
"I had a tendency to be disagreeable," says the beautiful Dutch actress
Maruschka Detmers. But a starring role in the upcoming Mambo Kings taught her
something about lightening up.<br>
66 OLIVER STONE TALKS BACK<br>
BY OLIVER STONE<br>
Continuing his cinematic exploration of the '60s with JFK, the Oscar-winning writer-director
addresses the controversy surrounding his new movie, which summarily dismisses
many Warren Commission findings.<br>
74 SHOT BY SHOT: 'RUSH'<br>
BY SEAN MITCHELL<br>
Director Lili Fini Zanuck filmed the climactic shoot-out in Rush in only one take.
After all, she says, "I was going to shoot my leading man."<br>
78 THE LAST TIME WE SAW RICHARD<br>
BY DAVID HANDELMAN<br>
"If Richard Pryor had not come along," says Keenen Ivory Wayans, "there
would not be an Eddie Murphy or an Arsenio Hall—or even a Sam Kinison."
But the career of the brilliant artist who defined comedy for an entire generation
has been ravaged by drugs and bad choices.<br>
93 SPECIAL SECTION<br>
INTERNATIONAL VIDEO GUIDE<br>
Reasons to go on being a couch potato: Ted Turner introduces CNN Video; Eastern
European video takes off; Spike Lee describes his influences (and defends his
dad); SkyPix goes on line.<br>
<b>DEPARTMENTS</b><br>
13 IN THE WORKS<br>
BY RACHEL ABRAMOWITZ<br>
Eddie's back after two years; Arnold directs; De Niro and Lange are together again
in Night and the City.<br>
16 SHORT TAKES<br>
A Madonna watch in Chicago; the Coen brothers befuddle the Gaffe Squad; the top
ten movies of all time (adjusted for inflation).<br>
22 CALIFORNIA SUITE<br>
BY JOHN H. RICHARDSON<br>
A squabble at Disney and a deathwatch at Paramount.<br>
25 READERS POLL BALLOT<br>
Vote for your 1991 favorites in the fifth annual PREMIERE Readers Poll.<br>
26 ON THE SET<br>
BY JOHN CLARK<br>
Steve Martin replaces Spencer Tracy as the frantic Father of the Bride.<br>
29 BUSINESS<br>
BY JEFFREY GOODELL<br>
For the past decade, the movie industry was fat and happy. But in 1991, the bottom
fell out. Suddenly the only things those huge blockbusters were busting were pocketbooks.
Here's why Lala Land's fallen on hard times—and some suggestions from Hollywood
bigwigs about how to solve the problems.<br>
35 INDEPENDENTS<br>
BY J. HOBERMAN<br>
A look at the cinematic history of beatnik legend William Burroughs as his "unfilmable"
novel Naked Lunch hits the screen.<br>
39 CAMEOS<br>
Breathless actress Jennifer Tilly; zealous costumer Wayne Finkelman; Brit directors
of past and future Peter Medak and Isaac Julien.<br>
47 FADE-IN<br>
BY GRAHAM FLASHNER<br>
What exactly does a "senior vice president, worldwide production" do?
The musical chairs and dastardly politics of executive titles.<br>
105 IF YOU ASK ME<br>
BY LIBBY GELMAN-WAXNER<br>
How Libby and Josh stack up against other Hollywood couples.<br>
<b>MISCELLANY</b><br>
10 MOVIE CALENDAR<br>
106 CLASSIFIEDS<br>
108 FILMOGRAPHIES
Title: Premiere January 1992
Series: Premiere
Item Number: PREMIERE199201
This magazine kept me up all night. How cool is that?